Sunday, November 24, 2013
New Cups for the holiday season on Etsy!!!
If you can't make it to Craft Boston this winter follow me at my Etsy Shop, Pottery by Adero Willard . All work is available for purchase, and I will be updating Etsy with new work throughout November and December.
Wednesday, October 9, 2013
Arts (ceramic and otherwise) in season here in Western Mass
I am not such a big fan of the cooler
temps but the natural beauty of New England autumn is always
something to look forward to.
As far as this being a season for the
arts, most people probably think of the Paradise City show
that happens here in Northampton over the holiday weekend. I am not
exhibiting this year, but am definitely planning to stop in.
So if you are coming out this weekend
for that show, let me give you one more arts event that you should
include in your trip (or make a trip for some other day): Art in the Orchard in Easthampton.
It's a beautiful setting and you walk
through it at your own pace; there are around 20 pieces so you can
see it all in about an hour or so. Some are by local artists and other artists
are from across the country.
If you can get there on a non-weekend
day you probably can have a lot of it to yourself. And you can also
visit their pick-your-own orchards while you are there.
Art in the Orchard is open through
October. If you are coming out to Western Mass for the Paradise City
show, or if you are just looking for a reason to make a trip out here
(or just for an outing if you are local) this is a fun way to feed
the senses.
One last note -- this coming Friday is
Arts Night Out in Northampton, and there is an opening reception for
a show called Be Here Now at the Forbes Library. So if you
were feeling really ambitious you could do an arts trifecta!
Saturday, July 20, 2013
Castle hill workshop
I just finished teaching a workshop at Castle Hill center for the Arts this week. It was called "Layered Surfaces and Intuitive Form". Who knew a week would go so quickly, we got through a lot of the surface techniques that I wanted to cover, but besides demonstrations students barely had time to get in to form.
Pictures below are of a demonstration that I gave for making my new flower arranging forms and the workshop attendees work.
If you missed this week with me, come to this hands on workshop and learn about my surfaces at Odyssey Center for Craft in Ashville, North Carolina.
Monday, May 20, 2013
Flower arrangement forms
New forms are exciting, but take a long time.
Teaching at Holyoke is over this week, so I'm looking forward to time in the studio and in the garden.
Friday, April 12, 2013
9th Annual Asparagus Valley Pottery Trail
April 27 and 28, 2013
The Pottery Trail is a self-guided driving tour of clay studios in western Massachusetts.
This year, there will be 8 guests in addition to the 9 potters that will welcome visitors to their studios.
Work from Worcester Pottery Invitational |
Sunday, January 6, 2013
January workshop at Mudflat
At Mudflat Studio January 26 &27
"Create pots for your decoration, create decoration for your pots." In this workshop Adero Willard will present ways to bring together form and surface in a more personally intuitive way. The workshop will include hand-building and throwing demonstrations, along with an array of decoration techniques. Discussions may include idea generating, aesthetics, and studio practice methods. A short hands-on portion of the workshop will provide time to practice the techniques of making and decorating, including guided surface and form exercises. The goal of these clay explorations is to initiate play and to stimulate curiosity in order to generate new ways to work with form and surface. "My goal is that participants will come away inspired and with a host of fresh ideas and skills to bring to their own work."
Adero Willard Artist Statement:
One unifying thread in my work is the manipulation of surfaces. This is often inspired by designs on textiles—from quilts from American cultures to hand-sewn Indian wedding dresses. I play with surfaces in ways similar to the textile artist: overlap, camouflage, veiling, revealing, and decorating.
In my newest pieces, I started to become interested in a traditional sgraffitto technique, where imagery is carved into the top layer of the paint to reveal areas of the surface underneath. Using this technique I can work on the surface of a pot like a drawing.
I am still essentially intrigued with the surfaces I’ve been creating over the past few years that combine layering pattern, and color, with a wax resist technique to create surfaces, where some parts are hidden, some are revealed, and some are seen under the veil of a layer. These are surfaces I’ve developed technically, but are also a part of a narrative, and an expression of my personal story.
Working with clay offers a very personal challenge: it has been my means of exploring my identity as a women of mixed race heritage. While a fairly abstract concept for pots, it is deeply rooted in my work, manifested in my layered surfaces. To see examples of Adero’s work – www.aderowillard.com
Tuition: $300.00, members $150.00
"Create pots for your decoration, create decoration for your pots." In this workshop Adero Willard will present ways to bring together form and surface in a more personally intuitive way. The workshop will include hand-building and throwing demonstrations, along with an array of decoration techniques. Discussions may include idea generating, aesthetics, and studio practice methods. A short hands-on portion of the workshop will provide time to practice the techniques of making and decorating, including guided surface and form exercises. The goal of these clay explorations is to initiate play and to stimulate curiosity in order to generate new ways to work with form and surface. "My goal is that participants will come away inspired and with a host of fresh ideas and skills to bring to their own work."
One unifying thread in my work is the manipulation of surfaces. This is often inspired by designs on textiles—from quilts from American cultures to hand-sewn Indian wedding dresses. I play with surfaces in ways similar to the textile artist: overlap, camouflage, veiling, revealing, and decorating.
In my newest pieces, I started to become interested in a traditional sgraffitto technique, where imagery is carved into the top layer of the paint to reveal areas of the surface underneath. Using this technique I can work on the surface of a pot like a drawing.
I am still essentially intrigued with the surfaces I’ve been creating over the past few years that combine layering pattern, and color, with a wax resist technique to create surfaces, where some parts are hidden, some are revealed, and some are seen under the veil of a layer. These are surfaces I’ve developed technically, but are also a part of a narrative, and an expression of my personal story.
Working with clay offers a very personal challenge: it has been my means of exploring my identity as a women of mixed race heritage. While a fairly abstract concept for pots, it is deeply rooted in my work, manifested in my layered surfaces. To see examples of Adero’s work – www.aderowillard.com
Tuition: $300.00, members $150.00
Saturday, January 26 and Sunday, January 27, 10 am - 4 pm both days
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